Still, this film and Schindler’s List share all the identical preoccupations and insecurities, making the question of “does activism nonetheless depend if you revenue off of it? “A girl (Carmen Ejogo) makes a deal with the Devil to take one other human life earlier than sundown in exchange for her toddler daughter’s” in all probability sounded fairly good in the pitch meeting, a promising setup that could get a stranger desperate to know extra throughout the time of an elevator ride. But author-director Zak Hilditch, again to the Netflix grind after showing the boundaries of his proficiency with high-idea horror on 1922, stretches another what-if situation to the point of tearing. The issues to her seek for a worthy candidate of murder ought to tease out a screenwriter’s resources, but all of the delays before the thuddingly apparent resolution just really feel like ploys to run out the clock.
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