Implicit Processes will bring to artistic life the lived experiences of mirrortouch synaesthetes and draw out ethical questions about empathy within the larger tradition. After creative research and growth in 2013 funded by the Wellcome Trust, Ridiculusmus have created a new play The Eradication of Schizophrenia in Western Lapland, addressing progressive approaches to the treatment of schizophrenia, and the results of medication on dialogue in a therapeutic setting. The firm are planning a ultimate week of rehearsals, followed by a 3-week UK tour accompanied by workshops and structured talks.
Through a process of research and collaboration with our key analysis collaborator, resuscitation specialist Dr Sam Parnia (University of Southampton, Stony Brook University), we’ll investigate the concept death is no longer a second, however a course of that may be reversed. The present might be developed and researched during 2014, previous to premiering on the 2014 Edinburgh Festival, with an accompanying digital playscript being printed. Implicit Processes will dramatise the empathic perceptual and social experiences of individuals with mirror-contact synaesthesia, a recently discovered, rare neurological condition in which visually noticed touch to others our bodies is perceived as a contact to the synaesthetes own body. The content and form of Implicit Processes will be primarily based on my ethnographic project comprising twelve interviews with mirror-contact synaesthetes about their perceptual and social experiences – the first qualitative doc of the situation.
Leonie Hampton’s mother is likely one of the estimated 6% of the UK inhabitants battling this disorder. Hampton’s first guide ‘In the Shadow of Things’ explored her household’s attempts to assist her mother clear her home. This project shall be a participatory art occasion which uses eBay as an experimental art space and clearing centre for the sale of over 2000 of her mom’s hoarded possessions that have been cleared. In doing this the artist and scientist hope to discover the potential of this strategy of re- examination and letting go to be a therapeutic journey and study how photography may perform in this process.
The project is a collaboration between artist Elpida Hadzi-Vasileva, scientist Dr Richard Day and clinician Professor Alastair Forbes, with their associates at University College London (UCL) and the University of East Anglia (UEA). The artist will develop new art works, extending her apply with physically and conceptually challenging materials. She will respond to Day and Forbes translational, interdisciplinary research making use of regenerative medicine to bowel function. The scientists have been intrigued by her work, particularly components that shock and can be responsible for reflex/knee-jerk rejection.
The materials and tissues from which every Poppy is produced, preserved or in some instances managed disintegration, are supposed to initiate debate, discourse and public consciousness of a collection of interwoven themes and concerns. The method during which medical technology could make important advances throughout times of conflict, how society may be guilty of over memorialisation of the useless. ‘Incubation’ is an exhibition by Tabitha Moses, based on her expertise of infertility, assisted conception and successful donor egg IVF, to take place at The Walker Art Gallery, Liverpool. It will be accompanied by a publication, programme of talks, discussion group comprising artist-parents, a gallery-based household exercise and a series of artistic workshops with users of The Hewitt Fertility Centre (Liverpool Women’s Hospital).
‘Stutterer’ will mirror progressive creative methods employed to visualize and communicate biological knowledge to have interaction most of the people and scientists across completely different disciplines. Historic and modern conflict driven medical innovation, a culture of memorialisation and the re-establishing of the symbolic and real world origins of an icon of warfare and remembrance are the context for ‘Poppy’.
‘Scales of Life’ is the ambitious inaugural exhibition on the LifeSpace Art Science Research Gallery, on the University of Dundee. The exhibition will communicate the important thing scales of life from the smallest (molecules), to the biggest (tissue). A new commission, ‘Stutterer’, by award-profitable artists Thomson & Craighead will harness the human genome sequence in a big new installation that questions preconceptions of neutrality within the visualization of scientific information.
Encouraging patients to dwell on some of her themes has generated attention-grabbing discussions which have stunned them and their docs, and has led to new approaches to elements of their medical administration, in addition to being fascinating in their very own right. An interim exhibition in UCL’s public spaces speaking the cross-disciplinary actions of the project is deliberate, along with preparation for a considerable tour in 2016/17. The Wellcome Trust has supported a collaboration with science communicator Greg Foot to research how the choreography and text can illuminate the anatomy of extreme movement and bodily pressure in sport. It has additionally supported a complete public engagement programme alongside the touring show for young people. to discover chopping-edge developments within the science of resuscitation, and the moral, social and philosophical questions that these advances elevate.